cristina rodrĂ­guez-moises

Extraordinary Machine, 2023

Black Left Arrow

about

Cristina Rodriguez-Moises's multidisciplinary work arises from an instinct to seek discomfort and ​scrutinize the nature of materials, behaviors, and social ideals that do not conform to hegemonic notions ​of beauty, cleanliness, and/or social order. To achieve this, the legibility of Cristina’s work is regularly ​complicated through segmentation or material experimentation. There is a roughness to its exhibition ​and/or creation that highlights the violence inherent in material manipulation and the "taking" of a ​photographic image. This instinct takes the form of fragmented photo series, material scratching and ​breaking, and uncanny performances.


Cristina began working as a photographer and became captivated by how the medium could violate our ​most ingrained perceptions of truth, equating photographic representation to truth-telling and evidence. ​She began to deconstruct this idea in a simultaneous effort to explore how photos of herself and her ​body changed or manipulated her self-perception. This work allowed her to exist beyond herself, as a ​malleable entity, and explore with scrutiny her existence while crossing socially acceptable boundaries ​of self-exploration and violence. Furthermore, Cristina's art and motivations are constantly evolving, ​utilizing transgression to research relevant issues such as eating disorders, gentrification, and ​immigration.

Developing Stony Island Ave

Extraordinary Machine 1 & 2, 2023

being and imitating flora, 2024


Body is A, 2023

Evasive (Paul Strand’s The Mexican Portfolio), 2024


Hardware/Software, 2023

flesh does, 2023

bend

contract

squeeze

bend

locution, 2024

Posing in Bondage, 2022

Desierto Yellow Brick Road (Enforcement Through Deterrence), 2024

Wood, Yellow Paint, and Dirt from the Chihuahua Desert

Wood, Metals, and Body Parts, 2024

The Permanence Project, 2023

contact

rodriguezac@uchicago.edu

Chicago, IL

Mexico City, MX